Friday, January 17, 2025

WILD ATLANTIC WAY Gallery Social


 

🌊✨ We are excited to continue our fine art prints website presentation on **andreapistolesi.org** with a gallery dedicated to the stunning **Irish Wild Atlantic Way**! 🇮🇪
Explore a series of spectacular coastal landscapes that capture the raw beauty and mystique of Ireland’s iconic coastline. Each print is a testament to the power and grace of nature, perfect for bringing a touch of breathtaking scenery into your space.
Dive into this collection and let the Wild Atlantic Way inspire you.
 

 

Sunday, January 12, 2025

BELIEVERS Gallery social


We’re thrilled to unveil our latest addition to our Fine Art Prints website, andreapistolesi.org : the BELIEVERS gallery! ✨ Dive into a beautifully curated selection of images inspired by our homonymous book, dedicated to celebrating acts of faith across all major religions. 🙏✨
These stunning visuals capture the essence of belief, hope, and devotion, reflecting the rich tapestry of spiritual practices around the world. 🌍💖
Explore the gallery and let these powerful images inspire you. Link in bio to view the collection! 
 

 

 

CHINESE OPERA Gallery social


 

We are thrilled to unveil our brand new fine art prints gallery dedicated to the enchanting world of **Chinese Street Opera in Bangkok**! 🌟✨ Explore a stunning collection featured on our website, [andreapistolesi.org](http://andreapistolesi.org), where you can immerse yourself in vibrant, detailed photographs that capture the essence of this mesmerizing art form.
Our gallery showcases a rich array of colorful makeup worn by the remarkable performers, along with captivating behind-the-scenes moments that provide a glimpse into the dedication and artistry that make each performance unforgettable. 🎭💫
We invite you to visit our website and discover the beauty and story behind every image. Whether you’re an art enthusiast or simply curious about this unique cultural expression, there’s something here for everyone!
📸 Explore the gallery: [andreapistolesi.org](http://andreapistolesi.org)
🖼️ Perfect for art lovers and collectors alike!

 


 

MARI Gallery social


 

We’re thrilled to announce that our gallery showcasing the stunning **Mari (seas)** fine art prints has expanded with brand new photos! 🌅 Discover the serene beauty of the seas and coastline in a very personal interpretation.
Dive into our updated collection and explore the vastness of nature, now live on our fine art website: [andreapistolesi.org](https://andreapistolesi.org) 🌐
🌟 Don’t miss out—visit the link and let the art transport you to the tranquil shores of the Mari! 

 


 

OLD VIETNAM Gallery social


The Old Vietnam fine art prints gallery is now live on our dedicated website, andreapistolesi.org! Explore stunning visuals captured over 40 years ago, all meticulously revisited to create perfect prints that celebrate Vietnam’s rich culture and history.
Dive into this unique collection and experience the beauty and emotion of each moment frozen in time. Your journey through art begins here! 

 


 

 

Wednesday, March 20, 2024

The new FINE ART GALLERY website is now live


 

The new FINE ART GALLERY website, www.andreapistolesi.org, is now live.

All our images intended for Fine Art printing are visible through thematic galleries.

For information on formats, pricing, delivery please see the ORDER page and send us a message.


Friday, July 31, 2020

THE LAST FRONTIERS fine art prints



SMM23A204
Girl in the Altai Mountains of Mongolia

A pre-selection from the book and show dedicated to "THE LAST FRONTIERS A Journey Through The Borders Of Humanity"
More photos from this 20 years long project will be made available.

The fine art 2019 edition has a 6 copies run for the 42x63cm size on Epson Cold Press Natural paper, respecting the Digigraphie standards. As all of the other prints it comes signed with it's authenticity certificate.

STT28K0896
Refugee Camp on the Thailand_Myanmar border
More detailed info on this photo in here

Thursday, May 21, 2020

THE LAST FRONTIERS my preface from the new book


When I started photographing, about forty years ago, I was inspired by a world still full of ethnic and cultural diversity. These have rapidly dissolved towards the end of the last century, or the millennium, if we are to be more historical.  When I visited Guatemala for the first time, it was 1987, ninety percent of the population still wore traditional costumes. When I returned there, in 1998, this percentage had practically reversed: ten years had been enough to erase centuries, perhaps millennia, of culture and traditions. It was for this reason, due to the lack of important cultural varieties, that I devoted myself, in the last twenty years, the first of the new century, or of the new millennium, to the exploration of those fringes of the world where humanity lived still a pre-globalization phase.
These were the edges of the humanized world. Natural borders, where life still followed ancient rhythms because it was conditioned by the power of the environment. Or artificial, political borders, marked by history and by the contrasts of centuries. The former were already fading thanks to the rapid spread of technology, of the social networks that followed satellite television. The latter seemed destined to disappear thanks to economic globalization, the creation of free trade areas, the elimination of visas and passports. However, lines remained where contrasts and conflicts were concentrated, migratory flows and escapes from unlivable situations, walls that divided a world of apparent well-being from another that aspired to achieve the same conditions.
Then the reaction came. The opposition to the openings of the borders, the return of nationalisms, the fears of the different, have in fact slowed the commonality of thought that social networks were spreading over all humanity. In my view this is only a nostalgic and futile slowdown of a huge and inescapable process. Opening the umbrella when a dam gives way. However, it comes too late to save that cultural diversity that is now compromised. What differentiates today those who are on both sides of our political lines is only the economic condition, not the set of values ​​that everyone carries in his backpack. So these are no longer the boundaries that I was exploring before, the places where diversity was evident, confronted, sometimes exploded.
Those last cultural fringes continue to fade even when the walls are raised.

Thursday, April 16, 2020

THE LAST FRONTIERS chapters videos previews

Here below you'll find the presentation videos of some chapters from the forthcoming book

Sunday, April 12, 2020

THE LAST FRONTIERS a forthcoming book



We are in the final editing of the book "THE LAST FRONTIERS, Journey Through The Borders Of Humanity".
This is the result of over twenty years of documentary reportage through the fringes of the modern world. Not only areas closed to political boundaries but also regions where humanity lives in a still pre-globalization phase.
I consider this a work in progress therefore I promise myself, and to you, updates to the project contents.
A small portion of the images (over 200 are included right now) has been exhibited already last year, but the show with the same name will feature more photos and will be ready with the book.
Some of these photos from the show are visible in the Fine Art Web Site, at this link.

And here is my presentation of the project:

When I started photographing, about forty years ago, I was inspired by a world still full of ethnic and cultural diversity. These have rapidly dissolved towards the end of the last century, or the millennium, if we are to be more historical.  When I visited Guatemala for the first time, it was 1987, ninety percent of the population still wore traditional costumes. When I returned there, in 1998, this percentage had practically reversed: ten years had been enough to erase centuries, perhaps millennia, of culture and traditions. It was for this reason, due to the lack of important cultural varieties, that I devoted myself, in the last twenty years, the first of the new century, or of the new millennium, to the exploration of those fringes of the world where humanity lived still a pre-globalization phase.
These were the edges of the humanized world. Natural borders, where life still followed ancient rhythms because it was conditioned by the power of the environment. Or artificial, political borders, marked by history and by the contrasts of centuries. The former were already fading thanks to the rapid spread of technology, of the social networks that followed satellite television. The latter seemed destined to disappear thanks to economic globalization, the creation of free trade areas, the elimination of visas and passports. However, lines remained where contrasts and conflicts were concentrated, migratory flows and escapes from unlivable situations, walls that divided a world of apparent well-being from another that aspired to achieve the same conditions.
Then the reaction came. The opposition to the openings of the borders, the return of nationalisms, the fears of the different, have in fact slowed the commonality of thought that social networks were spreading over all humanity. In my view this is only a nostalgic and futile slowdown of a huge and inescapable process. opening the umbrella when a dam gives way. However, it comes too late to save that cultural diversity that is now compromised. What differentiates today those who are on both sides of our political lines is only the economic condition, not the set of values ​​that everyone carries in his backpack. So these are no longer the boundaries that I was exploring before, the places where diversity was evident, confronted, sometimes exploded.
Those last cultural fringes continue to fade even when the walls are raised.